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49 kathrin millinger bauer sucht frau MGM retained control over the costumes and the artificial lake background, which went back to the United States.
90 Musical score edit The film score was composed and conducted by Miklós Rózsa, who scored most of MGM's epics, 109 although Zimbalist had previously commissioned and then set aside a score from William Walton.60 Because both Boyd and Heston had blue eyes, Wyler had Boyd outfitted with brown contact lenses as a way of contrasting the two men.83 98 Andalusian horses played Ben-Hur's Arabians, while the others in the chariot race were primarily Lipizzans.22 The writing effort changed direction when director Sidney Franklin fell ill and was removed from the production.Jackson, Mississippi: University Press of Mississippi.168 Broadcast and home video releases edit The film's first telecast took place on Sunday, February 14, 1971.25 Zimbalist showed Wyler some preliminary storyboards for the chariot race and informed him that MGM would be willing to spend up to 10 million, and as a result Wyler began to express an interest in the picture.Blaming Roman huis te huur 4 slaapkamers gent rule for his family's fate, Judah rejects his patrimony and Roman citizenship.Good Stuff' Never Changes: John.
American Cinema of the 1950s: Themes and Variations.

20 d Vidal claimed that Wyler had not read the script, and that when he did so (at Vidal's urging) on his flight from the.S.A b c Herman,.Start your free trial.After several years away from Jerusalem, Messala returns as the new commander of the Roman garrison.The 70mm nutten in bukarest lenses had a minimum focusing distance of 50 feet (15 m and the camera was mounted on a small Italian-made car so the camera crew could keep in front of the chariots.52 Several actors were offered the role of Judah Ben-Hur before it was accepted by Charlton Heston.Wyler strongly disliked the widescreen format, commenting that "Nothing is out of the picture, and you can't fill.Vidal first made the claim in an interview in the 1995 documentary film The Celluloid Closet, and asserted that he persuaded Wyler to direct Stephen Boyd to play the role as if he were a spurned homosexual lover.157 a b Raymond,.
Imperial Projections: Ancient Rome in Modern Popular Culture.
New York: Carroll Graf.

70 Cinematography edit The chariot race scene, illustrating the extremely wide aspect ratio used (2.76:1).
It was the fastest-grossing, as well as the highest-grossing film of 1959, in the process becoming the second highest-grossing film in history at the time after Gone with the Wind.
A b Kehr, Dave.